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The problems that the biographer of Cather has to face, however, are more complicated than merely locating the raw materials for the life.

He said himself at the time of the centennial celebration of her birth in 1973 that "anyone who abhors contact with members of the public is best advised not to produce work which has public interest." Cather resented the fact that she could not sit on a bench in Central Park without being recognized and accosted by strangers, but all her efforts to keep out of the limelight arid control access to her life have been unsuccessful in keeping biographers off her trail.

Hundreds of pages of Cather's journalistic writings have been dug from the dusty magazine and newspaper files where they first appeared and republished.

All of her stories have been collected, including many she gladly would have expunged from the record if she could have.

Although forty years have passed since the death of Willa Cather in 1947, she never has been the subject of a full-length biography. can be more certain than she to capture ultimately the admiration of posterity." The absence of a detailed biography is probably due to the traps, pitfalls, and barricades she placed in the biographer's path, and until now sufficient material has not been available to flesh out more than a medium-length life. Brown's biography of Cather appeared in 1953, Alfred Knopf wrote on the jacket: "Here is all the biographical information anyone is likely ever to gather about Willa Cather." Even though he was understandably interested in promoting the sale of Brown's book, he no doubt also thought Cather had been such a private person that biographical data actually was meager.

When she died, her reputation was firmly established as one of the most significant American novelists, and during the succeeding decades her stature has continued to grow. Donald Adams wrote in the that "no American novelist was more purely an artist," and George Whicher declared four years later that "no American writer . While no biography ever can be definitive, this study contains a great deal more material than any previous one and goes considerably beyond my own earlier biography, as well as the efforts of others, in presenting a life-size portrait of this remarkable woman. He was wrong, of course, and since Cather died there has been a steady accumulation of material to fuel the ever-growing interest in her life and work.

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During her own lifetime she managed her image rather successfully by writing biographical sketches of herself and telling interviewers what she wanted printed about her.